Irish Melodies by Thomas Moore

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viii
PREFACE.
other days be heard. Even of that class, the itine­rant harpers, among whom for a long period our ancient music had been kept alive, there remained but few to continue the precious tradition; and a great music-meeting held at Belfast in the year 1792, at which the two or three still remaining of the old race of wandering harpers assisted, exhibited the last public effort made by the lovers of Irish music to preserve to their country the only grace or ornament left to her, out of the wreck of all her liberties and hopes. Thus what the fierce legislature of the Pale had endeavoured vainly through so many centuries to effect,—the utter extinction of Ireland's Min­strelsy,—the deadly pressure of the Penal Laws had nearly, at the close of the eighteenth century, accom­plished ; and, but for the zeal and intelligent re­search of Mr. Bunting, at that crisis, the greater part of our musical treasures would probably have been lost to the world. It was in the year 1796 that this gentleman published his first volume; and the national spirit and hope then wakened in Ireland, by the rapid spread of the democratic principle through­out Europe, could not but insure a most cordial re­ception for such a work;—flattering as it was to the fond dreams of Erin's early days, and containing in itself, indeed, remarkable testimony to the truth of her claims to an early date of civilization.
It was in the year 1797 that, through the medium of Mr. Bunting's book, I was first made acquainted with the beauties of our native music. A young friend of our family, Edward Hudson, the nephew of